Minimalist Art Form Who Lent His Name to This
Minimalism as a genre occupies various forms of expression beyond fine art, design, music, and literature. Developed in the United States in the 1960s, it surfaced as a reaction to Abstract Expressionism. Minimalist artists sought to motility away from the expressive characteristics of Abstruse Expressionism as they felt those works to exist also excessive and emotional, and that they detracted from the essence of fine art itself. Minimalist artists, in complete contrast, were composed of elementary lines and forms. All the elements of expression, biography, complex subjects, and social agendas are removed, leaving viewers to interpret their works for what they are - a purified course of beauty and truth.
Due to such a strong focus on bones elements, Minimalist Fine art was and is known as ABC Art. Many of the most prominent Minimalist artists were sculptors, and Minimalism as well grew to transpire beyond other genres such as Land Art, where artworks are fabricated in landscapes, creating sculptures on and from the world. Minimalism also constituted the light and space move, with many Minimalist artists finding their exercise at its interstice.
Many have argued that Minimalism has its roots in Asia with many Western artists such equally Agnes Martin taking on influences of Zen Buddhism in their practice. Many Minimalist artists were also influenced by the notion of 'nothingness' derived from Hindu scriptures. Ane of the biggest Minimalist movements in Asia was Mono-ha, Japan's first internationally acknowledged movement in gimmicky art. Mono-ha, or 'School of Things', was a pioneering art move initiated in Tokyo in the mid-1960s. Led by artists Lee Ufan and Nobuo Sekine, the Mono-ha group was i of many groups engaged in 'not making'. These groups rejected traditional ideas of representation so as to reveal the globe through engaging with materials and their backdrop, every bit in similar way with that of Western Minimalism.
The Artling brings yous the most famous Minimalist artworks that underline the genre of Minimalism, including paintings and sculptures that that broke down traditional notions of art every bit they blurred the distinctions betwixt the 2.
Frank Stella, Dice Fahne Hoch! (1959)
Frank Stella, Whitney Museum, Gansevoort Street, New York City. Epitome courtesy of John St John.
A painter, sculptor, and printmaker, Frank Stella is considered to exist one of the about influential living American artists. His striped works and monumental prints revolutionized creative practices in relation to non just Minimalism but also Abstraction. Whilst he cites abstruse artists such as Pollock and Kline every bit his influences, he grew to become i of the founding fathers of Minimalism.
'Die Fahne Hoch!' Was named after the official marching vocal of the Nazis, but appears to be meaningless with the exception of its championship. It is one a work within a larger serial of black paintings by Stella. In this painting, the lighter lines are in fact raw canvas that was left blank between its broad blackness stripes. This monochromatic work is 1 of the best-known works to claiming the Abstract Expressionist motility.
Robert Morris, Untitled (mirrored cubes) (1965/71)
Robert Morris, Untitled (mirrored cubes) (1965/71). Image courtesy of the Tate.
'Untitled (mirrored cubes)' non only exemplified Robert Morris every bit a Minimalist artist, but also a Conceptual 1. Morris was performing at a ballet visitor when he came across large gray painted plywood boxes as stage props. Taking them to his practice, he covered these boxes in mirrors, advancing their visual properties and altering the modes of perception that surrounded them. Walking around these boxes, viewers are forced to confront themselves in their reflections. Suddenly, the act of admiring an artwork is cut by the human action of looking. Information technology has been cited to "invade" a gallery space due to this nature, evolving the feel of art beyond the visual.
Agnes Martin, With my Back to the World (1997)
Agnes Martin, With my Back to the World series (1997)
Agnes Martin fabricated works that were non-representational, yet their titles highlighted a strong allure to nature. Martin was known for the filigree work in her paintings that alloy together Minimalism and Colour Field. She used these grids as an organizational chemical element to her works, creating infinite variations of calming canvases with subtle colors.
Thoroughly influenced past Zen Buddism and Taoism, Martin also led a hermetic lifestyle in New Mexico for most of her life. She was also diagnosed with schizophrenia in her 40s. 'With my Back to the Earth' was made in her mid-80s while she lived in an assisted living facility. Her pastel bands of blue, peach and yellow continued to highlight how art was exclusive of the corrupt outside earth, as she reduced her the sizes of her canvases to handle them with more ease.
Ellsworth Kelly, Red Yellow Blue Two (1953)
Ellsworth Kelly, Red Yellow Blue II (1953). Prototype courtesy of the Fine art Constitute of Chicago.
Having served in the second World State of war, Ellsworth Kelly took his observations of nature and architectural forms to mature his practice in experimental ways. Through a rigorous study of abstraction, his paintings and sculptures went on to develop Minimalism as a whole. The 'Red Yellowish Bluish' serial afflicted the course of color-field painting and was created as Kelly began to "uncover the virtually infinite possibilities of monochrome, color spectrum, risk ordering, and multi-panel composition."
'Red Yellow Blue Ii' is composed of seven panels, with a black console in the centre the divides yet joins the three panels on its either side. Two blue panels unify the sequence on both ends, underlining Kelly's understanding of composition. This painting is the largest out of the works he made during his time in Paris and is considered to exist one of his finest and near influential works on sheet.
Sol LeWitt, Wall Drawings
Sol LeWitt – Wall Drawing #260 at San Francisco Museum of Fine art, 1975
Sol LeWitt – Wall Drawing #340, July 1980
Sol LeWitt – Wall Drawing #1138: Forms composed of bands of color, 2004, Acrylic paint, Lisson Gallery, London
Sol LeWitt created 1,350 wall drawings across the four decades of his career, comprising roughly 3,500 installations at over 1,200 venues. These drawings were anything from straight lines in black pencil pb, to colorful wavy rendered lines, to monochromatic geometric forms, to bright panels in acrylic pigment. He allowed others to help him execute these works every bit he, in line with notions of Minimalism, rejected the traditional importance of an artist'south own hand. His Wall Drawings were explorations into architecture and art, as they took on the forms of corresponding spaces that they were made in.
Although Lewitt passed away in 2007, his works live on every bit a result of his artistic ethos. These days, a handful of artists be who withhold the right to recreate his Wall Drawings allowing them to beautify the walls of institutions around the globe.
Judy Chicago, Rainbow Pickett (1965)
Judy Chicago, installation view of Rainbow Pickett (background) and Trinity (foreground). Prototype courtesy of the artist.
Created for her first solo bear witness at the Rolf Nelson Gallery in Los Angeles in January 1966, Rainbow Pickett is a room-sized sculptural installation composed of six trapezoids of different colors and lengths. This piece of work was besides shown at the foundational exhibition, 'Chief Structures' at the Jewish Museum, where critic Clement Greenberg stated that it was ane of the best works in the infinite. It was reconstructed in 2004 equally the original 'Rainbow Pickett' was destroyed by Chicago due to hefty storage costs, later becoming the authentication piece for LAMOCA's 'A Minimal Future? Art every bit Object, 1958-1968'.
Past creating works that exam the limits of color through her self-designed diagrams and spatial patterning, Judy Chicago grew to be known as a pioneering Minimal and Feminist artist.
Dan Flavin, Untitled (in laurels of Harold Joachim) 3 (1977)
Dan Flavin, Untitled (in honor of Harold Joachim) iii (1977). Prototype courtesy of the Pulitzer Arts Foundation.
'Untitled (in honor of Harold Joachim) iii' is one of many works made by Dan Flavin composed of fluorescent light and metal fixtures. For over iii decades, Flavin explored the artistic possibilities of fluorescent calorie-free, limiting his exercise to commercially available materials. Rejecting the aforementioned notions of Abstruse Expressionism, he took to using such hardware and inserted them into the earth of high art. Incredibly straightforward, this work also embodies a deep sophistication.
Flavin's lite works wash walls with colors and go across the infinite they inhabit. They likewise go beyond their sculptural entity to breast-stroke visitors in warm and artificial glows, creating experiences around them.
Eva Hesse, Untitled (Rope Piece) (1970)
Eva Hesse, Untitled (Rope Piece) (1970). Image courtesy of Columbia University.
A German-born American sculptor, Eva Hesse is best-known for her pioneering work in latex, fiberglass, and plastic. She is also known as 1 of the artists who ushered in the mail service-minimal art movements in the 1960s. In the spirit of Minimalism, Hesse's practice explored how the simplest of materials could be used to exemplify much more.
'Untitled (Rope Piece)' was made in 1970 as Hesse was dying, every bit was finished with the help of her friends. Fabricated with latex over rope, string, and wire, it mimics a tangled drawing in space, suspended from the ceiling. Standing out from the traditional neatness of Minimalism, it is through its modes of composition that allows it to be perceived inside the genre.
Donald Judd, Untitled (1980)
Donald Judd, Untitled (1980). Prototype courtesy of the Tate.
Donald Judd strongly disavows his association with Minimalism, all the same is known every bit one of its founding fathers. He abandoned his practice equally a painter for sculpture in the early 1960s and went on to uncover a personal rejection of European creative values. He began fabricating works that could not be classified as painting or sculpture. Like Ellsworth Kelly, Judy Chicago, Sol Lewitt, and Dan Flavin, his works were exhibited at the seminal 1966 exhibit 'Primary Structures' at the Jewish Museum in New York.
In the 1980s, Judd began creating vertically suspended stacks such as 'Untitled (1980). These works, still unable to be classified as painting or sculpture, created a new vocabulary of art due to their experiential nature. Using 2 different materials, aluminum and Plexiglass, this work offers viewers two conflicting experiences - opaque intrusive forms from the side, and obscure depths of space from the front.
Now that you're here, why non check out these Minimal artworks by Asian contemporary artists? If you would like to learn more about the Minimalism, do read our Minimalism 101 - A Guide to Minimalist Art.
Any views or opinions in the postal service are solely those of the authors and practice not necessarily correspond the views of the company or contributors.
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